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tháng 8 31, 2022

“We didn’t initially plan it to be something of this size, but it became increasingly ambitious as it went on,” says Chloe. “Part of that is because people just said the most incredible things about their friend, and we wanted to have it on the record. If anyone cares to watch this in 10 years, we’ve been able to collect some of those amazing testimonials about Virgil’s impact, and what an amazing person he was.” For Mahfuz, the film’s format—each speaker is introduced without any kind of formal description, and in various locations around the hotel—was also a means of paying testament to Abloh’s democratic outlook. “I think that format also kind of freed us from the obligation to be encyclopedic,” he adds. “We couldn’t shoot everyone, of course, so there are many close friends and family that weren’t able to be in it. But we never wanted it to have any kind of hierarchy.” And while Abloh’s friends and collaborators reminisce on both the bigger moments of their time together (the smiles they’d exchange at the end of a landmark Louis Vuitton show, say), as well as the more everyday moments (walking around Paris and chatting on a park bench is a recurring memory), both Chloe and Mahfuz were adamant that the film should honor his genius as a designer, too. “Working with Gabriella, one of our goals was always to show everyone what an amazing fashion designer he was—to have a true fashion moment that honors his legacy is one of the most important fashion designers ever, in our opinion,” says Mahfuz. “We were interested in that more abstract or poetic approach as a way for the film to carry all of the emotion we were all feeling.”