Official Emo athleisure a lifestyle of sadness shirt

tháng 7 06, 2022

It’s kind of hard to talk about what emotion it releases in somebody else, so I’m actually curious to hear, Christopher. I often joke, we have almost a 20 year age gap, but sometimes I feel very young when I’m with her and I think she’s much older. She has a way of looking at things that is the reality of a very professional person. When she started showing me the photos she’d taken at Chanel, I was surprised about what she saw. I was surprised by the seriousness of her photos. I know where some of those images in the magazine were taken and it’s interesting to think that a million things that may be more eye-catching to a fashion person were happening around her and she focused on something that was very emotional and graphic. Even if she only takes one frame, there’s something that is very constructed in the images that she ends up seeing. We shared the images with the Chanel team. We did the project independently of them, but because of the relationship she has with the house, we wanted to make sure they were aware of the project. They probably thought that they would have more of an Instagram kind of quality, more of a voyeuristic view of the process. I think they really appreciated that they were photographs, not snapshots. Even though she talks about the point and shoot, they really have to me an artistic kind of quality. They are really beautiful images. Whenever Vivienne came back to New York and had a film developed, she would send me her favorites. I would tell her I’m keeping out of those 50 you sent me 30, and we did that over a course of ready-to-wear, metiers d’art, ready-to-wear, and couture. We knew that it was going to be 80 pages, once we arrived there I went to Berlin with all the photos printed out and worked on an edit on the wall. And when we agreed on 90 photos, that’s when I involved Ezra and Lana. My first internship was with Ezra when I was in high school. And then my first job, and we retained a kind of professional relationship for all those years. I wasn’t in a million years dreaming that he would work on that project. But somehow when I mentioned the magazine, he jumped and said I really want to do this with you. Both Vivienne and I love his work so we knew that once we agreed on those 90 photos, trusted him to kind of decide what was going to be the final ones. Then we had a little back and forth to fine tune everything, to make sure that a few of the images that were important to Vivienne were present in the magazine and once all the three of us were on the same line that’s what kind of defined the final selection.